I just skimmed through the March 2007 issue of the venerable Redbook magazine. Not one advertisement is engaging. Not one advertiser demonstrates even the slightest understanding of how the mind works. Not to mention a woman’s mind.
The lion’s share of ads were large photos of women, product on the side and features that echo those of the previous ad in text. The latter is sequential and slow. Whether wrinkle products, dog food or juice, the problem is the same. These ads simply will not lodge their messages or even their visuals into long-term memory. There’s nothing there to engage the reader emotionally. I thought we were further ahead than this issue proves.
Here are some of the “invisible” brands featured in this issue:
Cover Girl, Maybelline, Avon, Aveeno, Tresemme, Olay, Advil, St. Ives, Campbell’s Soup, Dove, Cymbalta, Mott’s, SmartOnes, Pantene, Kraft, Johnson’s Baby Oil, Crsytal Light, South Beach Diet,Tums, Topamax, Jergens, Botox Cosmetics, Pepperidge Farm, Jello, Welch’s, Iams, Healthy Choice, Nabisco (100 Calorie Packs)
Agencies and their clients (both are accomplices) must end tradition in advertising because it is simply incongruent with the way we receive and process stimuli. Yes, their ads are clean, generally have spatial tension, good photography, no type os, but … no one cares. Truly the mind of the reader cannot absorb the content, because the stories simply do not mirror their own. It is truly a waste of their spend.
The Citi Premier Pass (the one that earns points) goes that much further to disconnect with misguided humour. You may have seen the :30 on TV: the lounge lizard styled Russian accompanied by sycophant with an IQ of one digit boasting their miles and dollar values on a white board. I wonder how that planning meeting went. Certainly someone in the room with an IQ above two digits squirmed at the idea and remained silent. The negative cues in this campaign are numerous and activate the amydgala to run. Especially with women. I’ll bet the water levels go down when this commercial airs.
And the cow family drinking soy milk is just confusing. There is more to soy than meets the sight of stiff cow costumes. Attacking milk by saying cow costumed characters are switching is a competitive construct that simply won’t connect. It does not build meaning for Silk. It makes a case for soy milk, barely.
In lockstep, the milk mustach ads feature personalities audiences relate too; but, I assure you the mustach is not the right cue. Here is big breasted Mariska Hargitay, holding her unclad baby, donning the perfunctory mustach with two distinct headlines: got Milk? and All figured out. This ad is more about breast milk than cow milk. And the mustach cue. I won’t go there.
Please let’s work harder to discover what engages a woman to read, to watch.
The only ad that gets 10% in the right direction features a hand holding a bunch of nails–a metaphor for the product touted, a supplement named Appearex that hardens nails. It is jarring but is has instant meaning. I’ll bet in emotional discovery before the fact (not focus groups or phone surveys!) this metaphor would show-up in many mental models related to the context of fingernails and beauty.
I didn’t want to be just negative. But really I grasped to find anything remotely closer than the above example. Sorry folks. Don’t send hate mail. Just think. How can you get a mindmatch?